A Love Letter To The Mature Psychological Anime of the 1990s/2000s

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I recently started watching 2004’s Monster after seeing it listed on “Best Anime” lists for years. It’s been on my to-watch list forever, and I had been putting it off simply because it’s 74 episodes and I figured that was too big of a commitment. I mean, I hesitate to watch stuff that’s 26 episodes long. I like the feeling of finishing a show and moving quickly on to the next one, you know? It clunks up my completionist goals if I have to commit to an anime for more than, like, ten hours.

I’m about twenty episodes into Monster (my attention span is doing good this time, guys!) and I love it. It’s an atmospheric, perfectly paced psychological horror with some dashes of historical fiction and medical drama thrown into the mix. Maybe a bit of magical realism, too. Oh, AND it’s a mystery. It’s everything I’ve ever wanted. The only thing that could make it better would be having some lesbians in there. Which, who knows, there’s still a chance – I have 54 episodes left, after all!

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You know what else is non-existent? Legal streaming of Monster. I’m watching that shit on YouTube in the worst quality…tragic.

Not to sound like a cranky old get-off-my-lawn anime fan (again), but I can’t help but watch this and think, “damn, they don’t make them like they used to.” I generally keep up on seasonals, and I really can’t remember the last time I saw anything with a creepy atmosphere or drawn-out pacing quite like that of Monster’s, or like any of my other favorites from this late 90’s/early 2000’s era, for that matter. I’m talking about eerie, semi-experimental shit like Serial Experiments Lain, Ghost Hound, Ergo Proxy, Paranoia Agent, and others of its kind. Where have all the good psychological horrors gone? Where are all the mature, existentialist seinen series that I love so much?

I guess I should start by defining what it is about these series that I love so much. 

Continue reading “A Love Letter To The Mature Psychological Anime of the 1990s/2000s”

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15 Jazzy Anime Openings That Aren’t Tank!

Well, here we are. It’s Friday, and I haven’t caught up on my seasonals or watched any of my backlog, which means I don’t have a good essay lined up for the day. You know what that means! It’s listicle time!

I’m actually extra cheating with this post, because I  wrote this before I started this blog. I posted it on GoBoiano, just to flex my anime writing abilities, but for some reason it got deleted? Which is fine, because that just means I can re-use it here! It was actually kind of fun to look back at something I wrote almost a year ago and spice it up to make it a little more “me.” Not to toot my own horn (toot), but my writing and voice has improved quite a bit since then…anyways, I hope you enjoy this quickie. Here we go!

Continue reading “15 Jazzy Anime Openings That Aren’t Tank!”

[My Anime Week] Thank you, anime gods, for blessing us with new Ikuhara, new Watanabe, and new Boogiepop

This week has felt like a hazy dream to me – all I’ve done is work, drive home, and sleep. I’ve barely even had time to think about anime, let alone watch it.

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Me, lying in bed, thinking about all the seasonals I have to catch up on…

Now that the work week has ended, though, I can finally catch up on anime news and anime writing. And I can also finally SCREAM ABOUT HOW EXCITED I AM ABOUT ALL OF THESE NEW ANIME ANNOUNCEMENTS. Teasers for the new Kunihiko Ikuhara project, Sarazanmai, were released, a new Shinichiro Watanabe project was announced, and a new Boogiepop Phantom anime. We love 2018!!!!!!!

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Thank you, anime gods, for delivering these gifts unto me after a week of hell.

So without further ado, please allow me to yell and scream about all this good anime shit.

Continue reading “[My Anime Week] Thank you, anime gods, for blessing us with new Ikuhara, new Watanabe, and new Boogiepop”